Carr Hammerhead MK II Manual do Utilizador descarregar pdf (Página 11)

AXE-FX AMP BASED ON DESCRIPTION

FAS 6160. . . . . . . . . . . . . . . . Peavey EVH 5150 ..................Alternative version of the PVH 6160, more open and less zzy than the original amp. Also, a virtual choke has

replaced the resistor found on the original’s power supply lter. This results in a bouncier feel.

FAS Bass ................n/a ...............................Custom Fractal bass model. This amp uses an active tone stack so the Fat switch will have no eect.

FAS Brootalz ............ENGL Savage 120 / SLO 100 ........ENGL Savage model with the input stage (and possibly power amp) from an SLO100.

FAS Brown ..............Van Halen’s Marshall ...............Original BROWN model from the Axe-Fx Standard/Ultra.

FAS Class-A $ ..........Carr Rambler ......................A “Blackface” preamp into a cathode-biased 6L6 power amp with no negative feedback. This was a happy

accident when originally modeling the Carr Rambler in the beta version of rmware v12.03.

FAS Crunch .............ultimate British amp ...............More dynamic and open than a Plexi, but with more gain.

FAS Lead 1 ..............Mesa Boogie TriAxis (presumed) ...Neutral high-gain lead with a tight midrange.

FAS Lead 2 ..............Mesa Boogie TriAxis (presumed) ...Hot-rodded British lead sound with a tonestack by Bob Bradshaw (Custom Audio Electronics).

FAS Modern. . . . . . . . . . . . . high gain rhythm + lead hybrid ....High-gain hybrid. Equally well-suited to modern rhythm or lead work. Loosely based on a Recto with tighter bass.

FAS Modern II ...........high gain rhythm + lead hybrid ...Tighter version of the popular FAS Modern model with a 5150-style bass boost in the tone stack.

FAS Rhythm .............British + USA crunch ..............Combines the best features of the British and USA crunch models.

FAS Wreck ..............Trainwreck Express ................Original WRECKER 1 model from the Axe-Fx Ultra.

Fox ODS I 9 .............Fuchs Overdrive Supreme-50 ......Overdrive channel, 50w, 6L6 tubes. Mid switch ON.

Fox ODS II 9 ............Fuchs Overdrive Supreme-50 ......Mid switch OFF.

Friedman BE ............Friedman Brown Eye ..............50w or 100w, EL34. What many call “the ultimate modded Plexi” by Dave Friedman (Rack Systems).

Friedman HBE ...........Friedman Hairy Brown Eye .........BE amp’s alternate voicing with a gain boost. A killer hi-gain tone in your arsenal.

Fryette D60 L 9 .........Fryette D60 (Less) .................60w, KT88 or 6550 tubes. “Deliverance Sixty”. “Less” mode.

Fryette D60 M 9 ........Fryette D60 (More) ................“More” mode.

Gibtone Scout $ .......Gibson Scout .....................1964 GA17RVT Scout, 17w, vintage clean tones. No tone controls on the real amp.

Herbie Ch2+ ............Diezel Herbert (Ch 2+) .............3-channel 180w, called “looser” and “more “familiar” than the VH4. Channel 2+ gets you into Diezel VH4 territory.

Herbie Ch2- .............Diezel Herbert (Ch 2-) .............Set Ch 2- at 35% gain for a cranked Plexi tone, 60% for a JCM800 tone.

Herbie Ch3 .............Diezel Herbert (Ch 3) ..............Channel 3.

Hipower Brillnt ..........Hiwatt DR103 (Brilliant) ............1974 Harry Joyce/Hylight model. Medium-gain, full sound with unique tone-stack and chimey, grinding tone.

Hipower Jumped .......Hiwatt DR103 (Normal/Brilliant) ...Emulates “jumpering the inputs” on a 4-hole amp.

Hipower Normal ........Hiwatt DR103 (Normal) ............Normal channel.

Hot Kitty $ .............Bad Cat Hot Cat 30r (Ch 2) .........30w, EL34, cathode bias, Channel 2. Voted by Guitar Player as “the second best combo of all time.”

Jazz 120 ................Roland JC-120 .....................120w (stereo: 2x 60w). The only solid-state-based model in the collection, a quintessential clean tone.

JR Blues .................Fender Blues Jr. ...................15w. A gutsy little classic with dual EL84s. To get the tone of an Egnater Rebel 20, set the Neg Fdbk to zero.

JR Blues Fat .............Fender Blues Jr. ...................FAT switch engaged.

Matchbox D-30 $ ......Matchless DC-30 ..................Matchless DC-30, 30w, Class-A, EL84s. A “better sounding” AC-30.

Mr Z MZ-38 $ ..........Dr. Z MAZ 38 SR ...................38w, EL84 tubes. Popular with country and roots players. The quintessential country amp.

Mr Z MZ-8 $ ...........Dr. Z MAZ 8 .......................8w, EL84 tube. A popular low-wattage, single-ended amp. The actual amp can be run in Pentode or Triode mode.

Nuclear-Tone b $ ......Swart Atomic Space Tone ..........20w, 6V6. As with the actual amp, the bias tremolo is particularly eective.

ODS-100 Clean ..........Dumble OD Special (Clean) ........100w “HRM” (Hot Rod Marshall) version, Clean channel. A coveted but rare amp made famous by Robben Ford.

ODS-100 Ld Mid 9 ......Dumble OD Special (OD) ..........Lead channel with the “Mid” switch engaged (this switch is sometimes labeled “Deep”).

ODS-100 Lead 9 ........Dumble OD Special (OD) ..........Lead channel matched with the preamp bypass (PAB) engaged (which bypasses the input tone stack) and the

Drive control at approximately 7.0. Played by the great Larry Carlton and many others!

ODS-100 Lead 2 9 ......Dumble OD Special (OD) ..........“Non-HRM” version. Preamp Bypass ON. The default tone stack is neutral (with B/M/T at noon the response is at.)

ODS-100 Lead 3 9 ......Dumble OD Special (OD) ..........“Non-HRM” version. Preamp Bypass OFF.

Plexi 100w High .........Marshall Super Lead 1959 .........1968 model. Classic amp head that gave rise to “the stack.” Great for crunchy rhythm work. As with the real amp,

don’t be afraid to turn the bass all the way down or the treble all the way up, or it’s too ubby. Treble channel.

Red amps are non-MV (no Master Volume on the real amp). The MASTER VOLUME is set to 10 by default.

9 Includes the additional OVERDRIVE control.

b The actual amp has a control labeled “Tone” which corresponds to TREB on the Axe-Fx. For a more realistic simulation, leave BASS and MID at noon.

$ Amps with NEGATIVE FEEDBACK set to zero. PRESENCE is replaced with HI CUT. DEPTH is also disabled since it only aects negative feedback.

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Carr Hammerhead MK II Manual do Utilizador Página 11

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